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Hurriedly she gets into her furs, and, twisting some soft black lace around her throat, runs down the stairs, and, opening the hall door without seeing any one, makes her way towards the appointed spot. Over the meadows and into the wood goes Mona, to where a streamlet runs, that is her special joy,—being of the garrulous and babbling order, which is, perhaps, the nearest approach to divine music that nature can make. But to-day the stream is swollen, is enlarged beyond all recognition, and, being filled with pride at its own promotion, has forgotten its little loving song, and is rushing onward with a passionate roar to the ocean. "How odd Nolly is at times!" says Violet, yet without any very great show of surprise. She is still wrapped in her own dream of delight, and is rather indifferent to objects in which but yesterday she would have felt an immediate interest. "But, Nicholas, what was his story about? He seems quite determined not to impart it to me.".
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"Oh! catch him! do catch him!" cries Mona, "Look, there he is again! Don't you see?" with growing excitement. "Over there, under that bush. Why on earth can't you see him? Ha! there he is again! Little wretch! Turn him back, Geoffrey; it is our last chance." "I didn't mean that, and I never hint," exclaims Mona, angrily; "and if you insist on the truth, if I must explain to you what I particularly desire to keep secret, you——" At this the laughter grows universal, Geoffrey and Nicholas positively distinguishing themselves in this line, when just at the very height of their mirth the door opens, and Violet enters, followed by Captain Rodney. It is dreary waiting. No sleep comes to her eyes; she barely moves; the dogs slumber drowsily, and moan and start in their sleep, "fighting their battles o'er again," it may be, or anticipating future warfare. Slowly, ominously, the clock strikes twelve. Two hours have slipped into eternity; midnight is at hand!.
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